As a colorist, my work truly takes shape as early as the project’s prep phase—ideally, from the moment the workflow is designed. When I’m involved from the start, I help shape the visual identity of the film. I take part in camera tests, support the cinematographer on set when needed, and grade the dailies to anchor the film’s aesthetic early in the edit. For live performance recordings, I take charge of live image supervision on cameras to optimize exposure and color balance and/or use Livegrade for live feeds, laying the groundwork for a more precise final grade. On the projects below, I wasn’t just brought in at the end—I actively contributed from testing to finishing, ensuring visual continuity and strong creative intent throughout the entire process.